The Emerging Writers’ Festival work, learn and play largely on the land of the Kulin nation, and pay our respects to their Elders, past and present.

EWF celebrates the history and creativity of the world’s oldest living culture.

Enter site

Alcoves & Partner

Speculate: Workshop, Lunch and Launch

What is the role of fiction in regenerative futures? How can writing speculatively help us imagine and inhabit the future? 

In a limited capacity workshop, hear from novelists Romy Ash (Mantle) and Rose Michael (Else), whose work stretches the familiar and the real into the speculative, strange and urgent.  

Then, drawing from the raw material of your own embodied experience, Nicola Redhouse and Penni Russon will guide participants through associative writing techniques using a series of provocations to write ‘otherwise’, grounded in the speculative powers of the human unconscious.  

At 12pm, celebrate new voices of speculative fiction with the launch of the 2026 Speculate anthology, featuring long-listees and readings from the prize-winners of this emerging writers’ prize presented in partnership with RMIT.  

A light lunch will be provided.  


Accessibility

Auslan Interpretation may be available on request, Wheelchair Accessible, Accessible Toilet, Hearing Loop, Quiet Space.

Monday 14 September, 10AM-1PM

Pay-What-You-Wish/Free

Book tickets

The Wheeler Centre, Performance Space (Level 2, ground level)
176 Little Lonsdale Street, Melbourne, VIC 3000

Featuring...

Romy Ash

Romy Ash is a critically acclaimed, award winning novelist. Her new novel is a speculative work, Mantle. Her first novel Floundering was shortlisted for The Miles Franklin Award, The Prime Minister’s Literary Award and the Commonwealth Writers Prize, amongst others. Her children’s picture book As Bright as a Rainbow was published in 2024. Her essays and journalism have been published in The Saturday Paper, The Guardian, Meanjin, The Griffith Review and others.

Alina Ivanova

Often found sipping french earl grey tea, Alina Ivanova is a freelance journalist, fiction writer, and critic. She is living in Naarm (Melbourne) and has written for the independent journals and news outlets Loiter Magazine, Monash’s Mojo news, Esperanto and Lot’s Wife. She is currently writing a new weird short story anthology about existential crises and the natural world.

Rose Michael

Rose Michael’s first novel, The Asking Game, was a runner-up for the Vogel and received an Aurealis honourable mention. An early extract from her second, The Art of Navigation, was shortlisted for a Conjure award and published in Review of Aus Fiction. She has published spec fic in Island, Griffith Review, Meanjin, Best Australian Stories and spec crit in The Conversation, Sydney Review of Books, Reading Like an Australian Writer. Experiments towards her new novel, Else, have been published in international journals Antipodes and Speculative Nonfiction.

Bridie Noonan

Bridie Noonan is a writer, actor, and dramaturg, living and working on unceded Wurundjeri country. Her work largely concerns the eerie and the bodily, exploring themes of desire, illness, and magic. Bridie has provided dramaturgy across both contemporary dance and theatre productions, and has been published in Voiceworks Magazine and The Suburban Review. She is interested in using small things to talk about big things.

Nicola Redhouse

Dr Nicola Redhouse is the author of Unlike the Heart, which was listed among the best books of 2019 in The Australian and ABR. Her fiction has appeared in places including Best Australian Stories 2014 and 2015, The Big Issue Fiction Edition, Meanjin and Kill Your Darlings. She is also published in the Guardian, The Age, The Australian, Griffith Review and The Conversation, and her poetry appears in Cordite, The Writing Mind (Prendergast et al) and Slow Canoe Live Journal. She researches applications of psychoanalysis to creative practice and is lecturer in the Publishing program at the University of Melbourne.

Penni Russon

Penni Russon is the author of several award-winning and critically acclaimed novels for young people. She’s taught creative writing at universities in Melbourne and Sydney since 2007. In July 2026 she will commence a three year ARC DECRA research fellowship on slow narrative and the ecology of attention in children’s literature written by adults and children’s own creative practice. She is cultivating her own ‘slow’ methods for writing, an approach that values relational and durational composition, playing with the boundaries of poetry and prose, myth and history, self-making and place-making, and human and more-than-human in form and content.