The Emerging Writers’ Festival work, learn and play largely on the land of the Kulin nation, and pay our respects to their Elders, past and present.

EWF celebrates the history and creativity of the world’s oldest living culture.

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National Writers' Conference & Panel

NWC – How to Tell a Story

Are contemporary novelists losing the ability to tell a truly great story? With recent literary discourse on the dying art of craft and technique, is the ambition of the novel taking a turn?

Authors such as Brandon Taylor posit that the crucial tenets of quality prose are being forgotten or abandoned, with less people reading, and mistakenly turning to the screen to learn the pillars of literary craft.

Hear from novelists known for their riveting storytelling, as they consider this idea, and contemplate the devices and learnings that make for a great novel. 

Please note this panel will feature real-time translation, conducted by Mandarin language interpreters.


This event is part of the National Writers’ Conference weekend. Purchase a full Weekend Pass to all NWC sessions or curate your experience with single session tickets.


Accessibility

Auslan Interpretation may be available on request, Close Captioned, Wheelchair Accessible, Accessible Toilet, Hearing Loop, Quiet Space.

Sunday 13 September, 3-4PM

National Writers’ Conference

Single session ticket or Full NWC Weekend Pass

Book tickets

The Wheeler Centre, Performance Space (Level 2, ground level)
176 Little Lonsdale Street, Melbourne, VIC 3000

Featuring...

Melanie Cheng

Melanie Cheng is a writer based in Naarm/Melbourne. Her short story collection, Australia Day, won the 2016 Victorian Premier’s Literary Award for an unpublished manuscript and the 2018 Victorian Premier’s Literary Award for Fiction. Her novels, Room for a Stranger and The Burrow, were both longlisted for the Miles Franklin Award. The Burrow was also shortlisted for the 2025 Stella Prize. Her short stories and non fiction have been published widely in Australia and overseas.

Apyang Imiq

I am Apyang Imiq, a Truku writer and novelist raised in the Cyakang community in Taiwan. Grounded in my village, my creative practice deeply intertwines literature with Truku culture, plant knowledge, and place-based writing. As the author of I Grow in the Open Tree Hollow and Thigh Mountain, I explore the complex dialogues between tradition and contemporary life. Through my writing and community work, I actively map the emotional geography and ecology of my people, searching for the continuous threads that connect ancestors, our land, and the modern Indigenous experience.

Raeden Richardson

Raeden Richardson is the author of The Degenerates (Text Publishing) which was nominated for the Miles Franklin Award. His writing has appeared in Griffith Review, The Sydney Morning Herald, Meanjin and New Australian Fiction. A graduate of the Iowa Writers’ Workshop, he has received support from Creative Australia and the Ian Potter Cultural Trust.

Michael Winkler

Michael Winkler is a writer of fiction and non-fiction. His latest novel, Griefdogg, is about a Mildura water scientist who wants to live as the family pet, but discovers this gives him unwanted insights into secret grief. His previous novel Grimmish, shortlisted for the 2022 Miles Franklin Literary Award, was published in the UK, North America and Spain (in translation). Michael won the Calibre Prize for his essay ‘The Great Red Whale’. His journalism, reviews, short fiction and essays have been widely published and anthologised.