Baran Rostamian is a writer and law student living on unceded Whadjuk Noongar Boodja. She is fascinated, dumbfounded and disgusted by the way and the why of things. Aside from her debut poetry collection Woven Frays published by Red River in partnership with Centre for Stories, Baran’s writing can be found in The Tiger Moth Review, Singapore Review of Books, SBS Voices, at WA’s Raine Square Short Story Dispenser, Pulch Mag, Limina journal, Books+Publishing magazine, Australian Poetry Anthology Vol. 9 and various Centre for Stories’ anthologies. You can follow @baran.com.au on Instagram, if you’d like.
Appearing In

Thursday 5 September, 6:30PM AWST
Centre for Stories: Dreams / Reality
Speculative fiction meets creative non-fiction in this night of readings at Centre for Stories. Witness writers as they trace the threshold between dreams and reality.
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Saturday 14 September, 4PM
Journal Crawl
You’ve heard of, and likely have ventured on a pub crawl, but how about a lit mag crawl? EWF presents our first ever journal crawl.

Tuesday 10 September, 8:30AM
Morning Pages: Embodied Writing
Start the morning with an intuitive walk around Melbourne followed by a writing session. Walking can allow the mind to process information and shake new ideas loose. Likewise, exploration and observation of built and natural environments can inspire thought and help us create new connections for our writing.

Friday 6 September, 7:30PM
Make It Up Club: EWF Edition
Enjoy an evening of readings from debut authors and performances that play on the threshold of music and literature.

Saturday 14 September, 11AM
Poster Poems
Join poet Alison J Barton and Troppo Print Studio for a hands-on workshop all about different approaches to visual poetry. During the workshop, participants will have the chance to add to a collaborative poem, which will be turned into a paste up poster by Troppo Print Studio, to be unveiled at the end of the workshop. The workshop coincides with the ‘Future Foundations’ exhibition curated by Troppo Print Studio, which celebrates the past, present and future of printmaking and is currently showing at Counihan Gallery.
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