Brodie Lancaster is an essayist, author and critic. Her writing has been published in the New York Times, Rolling Stone, the Guardian, Pitchfork, Bon Appetit, Vogue and The Age, among others. She was the founding editor of the feminist film zine Filmme Fatales. Brodie co-hosts the weekly podcast See Also, and is the author of the 2017 memoir No Way! Okay, Fine.
Artist
Brodie Lancaster
Appearing In
Sunday 8 September, 4:15PM
Richell Prize Showcase
We can’t believe it’s already been ten years since the Richell Prize began. To mark this milestone, we’re holding a showcase with our friends at Hachette, celebrating the stellar alumni of the past and anticipating the incredible writers to come.
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Monday 9 September, 6:30PM
Chapter Two: Creative Connections
Chapter Two of our Chapters workshop series is a relaxed round-table discussion about collaboration, sharing work, and forging reciprocal creative relationships.
Sunday 15 September
LUNCH/BREAK Drop In: Blak & Bright Writing Club
Been inspired by everything at EWF24? For this special lunch time drop-in session, join multi-practice artist Elijah Money for a laid back writing club, where you can put it all down on paper! Bring along a work in progress, or sit down to a fresh page with new ideas, and spend some time dedicated to […]
Wednesday 11 September, 6:30PM
Coming of Age in the Wild West
What does it mean to write the place you have lived? How do you harness the streets you have walked, and reflect back the people around you with care and consideration? In this special discussion event, these western suburbs writers come together to talk about the place, and the responsibility of writing it.
Saturday 7 September, 2PM
Texting Images: BLINDSIDE & EWF Ekphrastic Readings
BLINDSIDE & EWF present the Ekphrastic Writing Program. This initiative invites four emerging writers to produce an ekphrastic response to an exhibition from Blindside ARI’s 20-year exhibition archive, culminating in a night of celebratory readings, where writers will share the works created, in front of the very artworks they have responded to.
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