Hannah Winspear-Schillings is Melbourne-based writer, having previously been published in Farrago, Concrete, and Forge & Flint. Her theatre writing credits include The Breaths In Between (Eleven O’Clock Theatre, 2022), and facet (Floor Work, 2020). She has a keen interest in Victorian literature, nineteenth-century psychology, neurodivergence, and the Gothic. She has previously worked in autism research with the Autism Cooperative Research Centre (AutismCRC). She also holds an honours degree from the University of Melbourne, with her thesis focused on interpretive methods for reading Edgar Allan Poe’s characters as autistic.
Artist
Hannah Winspear-Schillings
Writeability: Self-told Stories
This panel features writers who have lived experience of disability reflecting on writing today.
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Storytelling traverses many different artforms and often those forms are in conversation with one another. Hear from artists working across genre, form and format about how different approaches to storytelling make up their practices. Learn about the different ways, places, and times that storytelling can occur and how diversifying your practice and strengthening your skills […]
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Get on down to The Moat for the launch of the Faber Writing Anthology, hosted by novelists and tutors Miles Allinson and Emily Bitto.
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Learn about the multiple perspectives, considerations and voices that went into the telling of Sasha’s matriarchal family stories and about the rigorous, collaborative editing and publishing process.
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